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A fully-fledged mid-range DSLR in a compact body, at an entry-level price – this is how one could distill the essence of the Olympus E-520 into one sentence. The new camera inherits the very well designed body, efficient handling and semi-professional feature set of its predecessor, and gains important capabilities such as wireless TTL flash control, Shadow Adjustment Technology and contrast-detect auto-focus in Live View. JPEG shooters will be delighted to learn that the default tone curve applied by the in-camera processing yields much more pleasing out-of-camera results, particularly with respect to the way specular highlights are rendered. 

For full-frame digital SLR or film users, the 20mm ƒ/2.8 shows off its poorer performance issues, especially for sharpness and light falloff. Whether this performance is poor however, depends on your point of view; if you’re looking for a lens which isolates a centrally-located subject by means of sharpness and light falloff, the lens does it spectacularly. If you need even light distribution and even sharpness, the 20mm prime will disappoint, especially at ƒ/2.8. At other apertures, you have a better chance of getting what you need.

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“There’s very little to criticise in the overall specification and performance of the E-420. I like it’s size - it’s ideal for travelling and is reminiscent of my old OM4 in some aspects of its handling. Images are generally good too, with excellent sharpness and detail. Colour is crisp and while exposures are slightly underexposed to my taste, they do maintain good tonality throughout the range. The Four-Thirds system is somewhat contentious amongst the more vocal geeks on the forums, but it has many benefits and is definitely worthy of consideration to anyone coming to a DSLR for the first time. The Olympus E-420 is a pleasure to use and it’s simplicity combined with the more advanced features allows the newbie to learn and grow as well as just enjoying taking good images.”

“The J50’s biggest let-down is its image quality, which I can only describe as terrible. It’s a pity, because the lens actually performs very well, with virtually no distortion at either end of the zoom range, and good edge-to-edge sharpness, but it is let down by the lousy sensor. Even at the lowest ISO setting there are problems with image noise, and despite only having a maximum setting of 800 ISO, images at this setting are unusable. The combination of image noise and massive over-compression robs the images of any fine detail. File sizes at the highest quality setting average under 2MB, which is very small for an 8MP camera. Adding to these problems is very poor dynamic range, with shadow and highlight detail lost from high contrast shots. About the only good thing I can say about it is that colour rendition is fairly accurate, at least in good light and low ISO.”