For full-frame digital SLR or film users, the 20mm ƒ/2.8 shows off its poorer performance issues, especially for sharpness and light falloff. Whether this performance is poor however, depends on your point of view; if you’re looking for a lens which isolates a centrally-located subject by means of sharpness and light falloff, the lens does it spectacularly. If you need even light distribution and even sharpness, the 20mm prime will disappoint, especially at ƒ/2.8. At other apertures, you have a better chance of getting what you need.
For subframe digital SLR users, the lens performs a bit better, but at ƒ/2.8 image sharpness is still poorer than we’d like. At ƒ/4 and smaller, the lens performs wonderfully, so if you don’t mind using it at this setting, you really can’t go wrong.
| March 2010 | ||||||
|---|---|---|---|---|---|---|
| S | M | T | W | T | F | S |
| 1 | 2 | 3 | 4 | 5 | 6 | |
| 7 | 8 | 9 | 10 | 11 | 12 | 13 |
| 14 | 15 | 16 | 17 | 18 | 19 | 20 |
| 21 | 22 | 23 | 24 | 25 | 26 | 27 |
| 28 | 29 | 30 | 31 | |||