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The Pentax KD10D offers an excellent ergonomic design. The sculpted shape of the body and the generous rubber coated areas provide a solid, secure grip, and excellent stability. Unlike many of the current crop of entry-level digital SLRs, the K10D is a bit bigger, and feels heftier, imparting more of a “professional equipment” feel than the others… the Pentax K10D shines on a number of fronts, and when used with any number of other Pentax lenses, the K10D yields perfectly crisp images.

The D40 is Nikon’s entry level digital SLR, replacing the D50. It is one of the most economical dSLRs currently on the market, either as “body-only” or as a kit with a lens. It is also the first digital SLR camera to compete head-on with a number of bridge cameras thanks to its size and weight. Compact and light, the D40 integrates all of Nikon’s newest technologies, but omits a few features found on other Nikon dSLRs to keep costs down.

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The DSLR-A100, or Alpha 100, is Sony’s first interchangeable lens digital SLR camera. The Alpha 100 is the result of the fusion of Konica Minolta SLR and Sony’s experience. It borrows a lot from the Dynax camera designs, but also shows Sony’s imprint, be it by its 10-megapixel CCD, or the incorporation of a Super Steady Shot stabilization system that allows any compatible lens to be stabilized, a strength of this approach, as opposed to building the stabilization into the lens.

Based on the fact that it has an SLR-like design, and is equipped with a 10.7X zoom that has a focal length range that starts at an excellent wide angle equivalent to a 28 mm, and which extends to a big telephoto equivalent to a 300 mm, the S6000fd would appear to be a good fit into a group of cameras that are defined as Bridge cameras. Yet, it lacks one important feature to be pigeon-holed as a Bridge camera: a true optical stabilization system.